All works in chronological order:




Amproprification #8.2: Marcia funebre, Eroica, J.N.Hummel, L.v.Beethoven

Flute, Violin, Cello, Piano and automated amplification
in progress, 15'



Nach dieser Erde (Canone Monodico No.3, Interlock 5)

for digitally controlled sawtooth wave generator, 5 or 6 performers
2019, ca. 2'30"



Canone Monodico a 4 [Interlock 4]

for digitally controlled sawtooth wave generator, four performers
2019, 10'30"



Amproprification #9: Schrift/Bild/Schrift, Bernhard Lang

for Ensemble and automated amplification
2019, 22'



A C H K

( H A C K / A H C K )
an amproprification based performance for two electric guitars and live-electronics
2019, 50'



DeadComposers.net

Web Application
2018, indefinite



Fremdbestimmt (Studie) [Interlock 2]

Study for a scene for performer and prepared stroh viola (or stroh violin)
2018, 12'



Canone Monodico a 2 [Interlock 3]

for digitally controlled sawtooth wave generator, two performers
2018, 6'30"



Amproprification #8.1: Allegro con brio, Eroica, C.F.Ebers, L.v.Beethoven

Ensemble and automated amplification
2018, 15'30"



Control Issues #1: Motorphaser

music for motorfaders
2018, 4'30"



Amproprification #5: Goldrausch, Mark Lorenz Kysela

for Soprano Saxophone and automated amplification
2017, 40'



Improprifications

Electronics
2017, variable



Amproprification #7: Weiss / Weisslich 17c, Peter Ablinger

for snare drum, noise and automated amplification (2 performers)
2017, 1'20"



Amproprification #2: Ombra, Franco Donatoni

two pieces for Contrabass Clarinet and automated amplification
2016, 13'



Amproprification #3: Après un rêve, Gabriel Fauré

for Voice (or Solo Instrument), Piano and automated amplification
2016, 3'30"



Amproprification #6.2: Gloria, Missa Papae Marcelli, Giovanni Pierluigi da Palestrina

6 Voices and automated amplification
2016, 5'30"



Amproprification #6.1: Kyrie, Missa Papae Marcelli, Giovanni Pierluigi da Palestrina

6 Voices and automated amplification
2016, 4'30"



Elude, Rephrase

Variable Instrumentations
2016, variable



Amproprification #4: Splitting 8.1, Michael Maierhof

for Saxophone with splitter, fixed media, live video and automated amplification
2016, 15'30''



Amproprification #1: Sequenza 9c, Luciano Berio

for Bass Clarinet and automated amplification
2016, 14'



FEED
(twelve self-portraits I do not want you to see)

Audiovisual Installation
dimensions: 5.1 x 2.7 x 1.5 m
2016, arbitrary



Heart Score Fetish

Three performers and keyboard controlled amplification
2015, 15'



Adhan

a whitsun performance for carillon and three channel tape
2015, 8'30"



Drill & Sander

for Alto Trombone, Ensemble and Electronics
2015, 10'



Decaying Values

Installation (Solo Performance projected)
2014, variable



If music be the food of love [Interlock 1]

Two Soprano Saxophones and Electronics
2014, 12'



Compound No.8: BREAK REMOVE DEMOLISH

for Violin and Cello with Piccolo Flute, Bass Clarinet, Electric Guitar, Percussion, Piano with Midi-Keyboard and Electronics
2014, 15'



Personal Data

a verbal performance on communication monitoring for at least 5 performers
2013, 1'30'' - 2'30''



Compound No.7: OPERATION ENOK

for Subcontrabass Recorder (or bass clarinet) with Live-Electronics, Narrator, Samples, Percussion, Cello (or Violin), Double Bass (or Cello) and 5 Channel Tape
2013, 10'



Compound No.6: VOICE ALARM AIR MACHINE

Flute with Glissando Head Joint, Bellows, Microphone Box and live Electronics
2012, 14'



Kammermusik

Two Laptops and Analog Synthesizer(s), Coproduction with Hannes Seidl and Florian Zwißler
2011, 44'



Compound No.3: MACHINE CONSTRUCTION AFTERMATH

Microtonal French Horn, Trombone, Microtonal Tuba and Electronics
2011, 12'



Compound No.2a: AIR PRESSURE TRAIN TV

Two Percussionists on four BlackBoxes and Electronics
2011, 18'



Compound No.5: CONSTRUCTION ADJUSTMENT

Black Box and electronics
2011, 14'



Compound No.4: FRICTION MACHINE ALARM SIGNAL CONSTRUCTION

Violin, Viola, two Ad-Hoc-Players, BlackBox and Electronics
2010, 15'



Umverteilung

Site Specific
2010, variable



Compound No.1a: CAR SEX VOICE HONKER

Solo Accordion and Electronics
2009, 17'30''



Compound No.2: AIR PRESSURE TRAIN TV

Six Percussionists and Electronics
2009, 18'



Compound No.1: CAR SEX VOICE HONKER

Two Accordions and Electronics
2008, 17'30''



Notturno. Kanon mit Schalentieren

Fixed Media
2008, 2'



Samstag Morgen - Berlin Neukölln. Studie. Und Selbstportrait. Mit Hirsch.

Piano and Electronics
2007, 12'



Folgesätze

Fixed Media
2002, 21'