All works in chronological order:
NUT | LAC 4
Installation Performance for Double Bass, Bass Drum and Electronics
2024, 40'
[NUT | LAC 3]
Live-Electronics
2023, 40'
Baseline Shift
[NUT | LAC 2]
for Ensemble
2022, 22'
Do Electric Sheep Dance To Algorithmic Tunes?
54 Fakes for Big Band and Small Orchestra
2022, 5'
Canone Monodico a 5 [Interlock 6] (Knicks für E.P.)
for digitally controlled sawtooth wave generator, five performers
2021, 10'
NUT | LAC
for large orchestra
2021, 20'
Control Issues
Music for Motorfaders
INTERACTIVE ONLINE VERSION
2020, arbitrary
Amproprification #6: Missa Papae Marcelli, Giovanni Pierluigi da Palestrina
7 Voices and automated amplification
2020, 40'
Our Daily Bread I: "Beautiful, Dirty, Rich" - Lady Gaga
Video
2020, 02'53"
Tsk Tsk
Video
2020, 1'
Amproprification #8.2: Marcia funebre, Eroica, J.N.Hummel, L.v.Beethoven
Flute, Violin, Cello, Piano and automated amplification
2020, 15'
Nach dieser Erde (Canone Monodico No.3, Interlock 5)
for digitally controlled sawtooth wave generator, 5 or 6 performers
2019, ca. 2'30"
Canone Monodico a 4 [Interlock 4]
for digitally controlled sawtooth wave generator, four performers
2019, 10'30"
Amproprification #9: Schrift/Bild/Schrift, Bernhard Lang
for Ensemble and automated amplification
2019, 22'
A C H K
( H A C K / A H C K )
an amproprification based performance for two electric guitars and live-electronics
2019, 50'
DeadComposers.net
Web Application
2018, indefinite
Fremdbestimmt (Studie) [Interlock 2]
Study for a scene for performer and prepared stroh viola (or stroh violin)
2018, 12'
Canone Monodico a 2 [Interlock 3]
for digitally controlled sawtooth wave generator, two performers
2018, 6'30"
Amproprification #8.1: Allegro con brio, Eroica, C.F.Ebers, L.v.Beethoven
Ensemble and automated amplification
2018, 15'30"
Control Issues #1: Motorphaser
music for motorfaders
Also part of the 2020 online version
2018, 4'30"
Amproprification #5: Goldrausch, Mark Lorenz Kysela
for Soprano Saxophone and automated amplification
2017, 40'
Improprifications
Electronics
2017, variable
Amproprification #7: Weiss / Weisslich 17c, Peter Ablinger
for snare drum, noise and automated amplification (2 performers)
2017, 1'20"
Amproprification #2: Ombra, Franco Donatoni
two pieces for Contrabass Clarinet and automated amplification
2016, 13'
Amproprification #3: Après un rêve, Gabriel Fauré
for Voice (or Solo Instrument), Piano and automated amplification
2016, 3'30"
Amproprification #6.2: Gloria, Missa Papae Marcelli, Giovanni Pierluigi da Palestrina
6 Voices and automated amplification
2016, 5'30"
Amproprification #6.1: Kyrie, Missa Papae Marcelli, Giovanni Pierluigi da Palestrina
6 Voices and automated amplification
2016, 4'30"
Elude, Rephrase
Variable Instrumentations
2016, variable
Amproprification #4: Splitting 8.1, Michael Maierhof
for Saxophone with splitter, fixed media, live video and automated amplification
2016, 15'30''
Amproprification #1: Sequenza 9c, Luciano Berio
for Bass Clarinet and automated amplification
2016, 14'
FEED
(twelve self-portraits I do not want you to see)
Audiovisual Installation
dimensions: 5.1 x 2.7 x 1.5 m
2016, arbitrary
Heart Score Fetish
Three performers and keyboard controlled amplification
2015, 15'
Adhan
a whitsun performance for carillon and three channel tape
2015, 8'30"
Drill & Sander
for Alto Trombone, Ensemble and Electronics
2015, 10'
Decaying Values
Installation
2014, variable
If music be the food of love [Interlock 1]
Two Soprano Saxophones and Electronics
2014, 12'
Compound No.8: BREAK REMOVE DEMOLISH
for Violin and Cello with Piccolo Flute, Bass Clarinet, Electric Guitar, Percussion, Piano with Midi-Keyboard and Electronics
2014, 15'
Personal Data
a verbal performance on communication monitoring for at least 5 performers
2013, 1'30'' - 2'30''
Compound No.7: OPERATION ENOK
for Subcontrabass Recorder (or bass clarinet) with Live-Electronics, Narrator, Samples, Percussion, Cello (or Violin), Double Bass (or Cello) and 5 Channel Tape
2013, 10'
Compound No.6: VOICE ALARM AIR MACHINE
Flute with Glissando Head Joint, Bellows, Microphone Box and live Electronics
2012, 14'
Kammermusik
Two Laptops and Analog Synthesizer(s), Coproduction with Hannes Seidl and Florian Zwißler
2011, 44'
Compound No.3: MACHINE CONSTRUCTION AFTERMATH
Microtonal French Horn, Trombone, Microtonal Tuba and Electronics
2011, 12'
Compound No.2a: AIR PRESSURE TRAIN TV
Two Percussionists on four BlackBoxes and Electronics
2011, 18'
Compound No.5: CONSTRUCTION ADJUSTMENT
Black Box and electronics
2011, 14'
Compound No.4: FRICTION MACHINE ALARM SIGNAL CONSTRUCTION
Violin, Viola, two Ad-Hoc-Players, BlackBox and Electronics
2010, 15'
Umverteilung
Site Specific
2010, variable
Compound No.1a: CAR SEX VOICE HONKER
Solo Accordion and Electronics
2009, 17'30''
Compound No.2: AIR PRESSURE TRAIN TV
Six Percussionists and Electronics
2009, 18'
Compound No.1: CAR SEX VOICE HONKER
Two Accordions and Electronics
2008, 17'30''
Notturno. Kanon mit Schalentieren
Fixed Media
2008, 2'
Samstag Morgen - Berlin Neukölln. Studie. Und Selbstportrait. Mit Hirsch.
Piano and Electronics
2007, 12'
Folgesätze
Fixed Media
2002, 21'